Kasha's marks articulate matter on a surface so that it becomes an objective correlative of sensations such as, say, looking without focusing, looking fixedly, looking out of windows, looking into darkness, seeing things grow, seeing them sicken, seeing the passing of a day, feeling threatened, feeling nothing, feeling elated, feeling tears prick the back of one's eyes. Marks of varying tempo, weight and direction caress and bruise and elaborate and disrupt and erode the familiar forms of everyday emblems - flags, letters, numbers, etc.
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© 2002 Katherine Reifman